52 projects. Browse by discipline below, or scroll everything here.

Six original short films made with generative tools — Town of Porcelain People, Mushroom Cavalcade Trailer, The Alchemist Zoom, Ziggy Stardust, JK5, and Maze. Authored work, not client commissions: the place where the pipelines get pushed before they meet a deadline.

An embedded AI production engagement for Pendleton's wholesale book and website — custom applications deployed inside Pendleton's own systems, generating catalog-ready product photography from CAD assets. 1,419 images delivered across 61 styles in six weeks; on-model photography alone scaled from a ~20-image pilot to 716 delivered images.

One client, seven engagements, a decade-plus: the Zoomable City gigapixel kiosk (2014), long-term timelapse (2016), a VR block party activation, a VR bungee-jump experience (2018), the VR Bar (2017), the Loupe Lounge (2023), and current AI production work through Bespoken AI Solutions (2025-26) — the same relationship, evolving with every medium shift.

Studio Wildcard came in against a pre-launch deadline needing narrative cutscenes — the cinematics that play over a game's loading sequence, carrying the story forward while the next area loads in the background. Working from the studio's own storyboards and characters, Gavin produced the finished cutscenes ahead of launch.

Generative-AI product rendering for a Portland, Oregon furniture maker — every piece in the catalogue reproduced across five wood species, with upholstered pieces additionally rendered in ten fabric and leather options, live on the client's own product pages.

Multi-format capture — gigapixel, 360 video, aerial 360 video, and traditional videography — for DRAX's "Immersive Forests" sustainability film, produced in partnership with UK stitching studio Surround Vision.

Video production, logo/brand design, and investor-document work for F-Comply, an Oregon identity-verification and child-safety compliance startup.

Five tonally distinct celebrity-fronted PSA concepts for a wildfire home-hardening campaign, built and iterated across six weeks using generative-AI image tooling — photo-real comedy, black-and-white sports comic, retro rock poster, heroic key art, and a buddy-comedy storyboard, all from a single brief. Picked up for production by Fire Safe People; casting and release details are under NDA.

A home-improvement TV pitch package and a ~20-image architectural render library proving a wildfire-hardened home doesn't have to look like a gravel lot — plus a before/after guide that redraws ~50 real inspection photos into a clean, legible comparison. Picked up for production by Fire Safe People; casting and release details are under NDA.

Gigapixel, LIDAR, and photogrammetric 3D reconstruction of Sutro Tower, San Francisco (1,811 ft), built for its 50th anniversary. Most recent independently-documented work.

Co-developed a custom-built spherical-capture drone with cameras above and below the airframe for a single seamless sphere in one flight.

A 30-minute fulldome planetarium film on Australia's deep-time history, made with First Nations communities — custom drone/panoramic capture across remote Australia.

Built a 12.5K 360° ProRes backplate library (14 stops dynamic range) for LED-volume virtual production, shot on META 3 Immersive cameras.

Broadcast and social campaign production for Q5id's Guardian identity-verification product, including a campaign fronted by Elizabeth Smart and a second fronted by John O'Hurley — 60-second spots, 15-second subscriber spots, and social cutdowns.

Intel's first digital-twin exhibit — 50+ gigapixel panoramas and photogrammetric 3D scans, VR-ready, live on Intel's own museum site.

Explorable gigapixel panorama for a major observation deck — six touchscreens, roughly 100 interactive points of interest, day and night captures.

WebXR production shot on Z CAM K1 Pro VR180 — swept three categories at the 2022 Polys WebXR Awards, including Experience of the Year.

A three-part stereoscopic 360° VR conservation series. The episode "Mountains" was a finalist at the 2020 Jackson Wild media awards — one of the most respected honors in nature and conservation filmmaking.

Ran the video team and produced Hanson Robotics' global interview series with Sophia the Robot, including engagements with Deepak Chopra and the United Nations.

Behind-the-scenes stereoscopic VR documentation of Microsoft's Mixed Reality Lab volumetric video and holographic data-capture process, for Microsoft's Story Labs 360 series.

A gigapixel tiny-planet panorama of Philadelphia, shot more than 1,000 feet up the spire of One Liberty Place and built into six touchscreen kiosks across the observation deck. The panorama made local news twice — once for the install, once when it caught a wedding proposal playing out in Love Park below.

Emmy-winning team behind the first complete bottom-to-top VR ascent of Everest. Panogs built the custom cold-weather 360 capture rigs used on location in spring 2016.

An eight-year gigapixel capture project across Tibet's most remote regions with art historian Thomas Laird, preserving ancient Buddhist temple murals at ultra-high resolution — published as a SUMO-edition book by TASCHEN in 2018.

VR surf documentary retracing surfer John Ritter's South Pacific passage 40 years later — shot across Oregon, Samoa, Tonga, and Fiji, funded on Kickstarter, distributed via TIME Inc.'s Life VR — the same distribution ecosystem as Capturing Everest.

Led Yahoo's interactive advertising Innovation team and spearheaded the company's first VR ad formats, publicly representing Yahoo's VR/360 advertising work at IVRPA Québec 2016.

Stitched TIME's One World Trade Center cover panorama — 567 frames shot from the building's 408-foot spire, assembled into a fold-out cover image that later became the first photo used to launch Facebook's 360 Photos feature.

The origin of Gavin's entire panoramic career — one of roughly 55 photographers across 20 teams capturing 16 miles of Yosemite Valley on early GigaPan robotic heads, built for NPS rockfall and geological analysis.

Flash-built promotional website for the Universal Studios feature (released June 2004) — built using the Flash skill from Stickyflick Studio, Gavin's first medium jump from fine art into interactive/animated web work. Recovered from the Wayback Machine.

An independently commissioned mural for the Bank of Rhode Island — applying the mural painting learned under Kent Twitchell to his own client work rather than assisting on someone else's.

A drawing archive going back to the RISD years, and the source material for the ongoing 'universe' series.

For The LYCRA Company, an interactive 360 tour that takes a textile buyer from an Iowa cornfield to the factory floor, so apparel companies could see where renewable LYCRA® fibre actually comes from without flying anyone to Iowa. Shot on location at Kuiper Farm and the Qore plant, and delivered as a standalone Oculus app.

360 video work for Oregon Beverage Recycling Cooperative's Bottle-Drop programme.

The St Johns Bridge is the Portland landmark that photographs badly from the ground. Gothic towers, a green that reads differently in every light, and no single viewpoint that holds the towers, the span and the setting at once. In October 2021, in the week the colour peaked, Gavin flew it. Thirteen finished spheres came out, each one 22,878 pixels across. Nobody asked for them. Nobody has seen them.

Filmed and stitched aerial sequences for a "Climate Changers" segment featuring Boyan Slat, founder of The Ocean Cleanup — the internationally known ocean-plastic removal nonprofit.

A live video interview show on panoramic and 360° photography, run across two seasons — S1 (~2013–16) with cohost Thomas Hayden, S2 (~2018–20) with guests including VR director Thomas Wallner and Greg Downing.

A 360 capture at Cloud Gate in Chicago's Millennium Park, shot from the plaza with the sculpture and the downtown skyline wrapping the full sphere.
Look at Angkor Wat, then push in, and the strangler-fig roots pouring over a carved doorway resolve down to individual fibres. Look at the whole bay at Railay, then push in, and there are people on towels. Ten places, four continents, one method, no client. This is the practice underneath every commissioned gigapixel job in the portfolio, and none of it has ever been on the site.

A gigapixel night time-lapse and a 360 aerial flight, shot from a rigging position on top of Reunion Tower's geodesic dome, 470 feet above downtown Dallas — the source imagery behind the "Reunion Tower VR" mobile app's Aerial and Time-Lapse experiences.

A 360 tour of Specialized Bicycles' innovation lab, shot for Fast Company as part of a five-part virtual-reality series commissioned by Microsoft to go behind the scenes at the places where products get invented. Two dual-lens 360 rigs, one working day, and a room full of things that were not supposed to be seen yet.
Gigapixel capture at the Las Vegas Stratosphere, with the resulting imagery running on touchscreens on the observation deck.

Aerial and cinematic capture for pianist Hunter Noack's "In a Landscape" outdoor concert series, credited on Panogs' own archived portfolio.

A 360° installation at Kion Tower. The live feed appears on the building's hyper wall in Panogs' own TOWR Cam video.

A long-term timelapse and hyperwall installation, one of Panogs' own listed reference projects from May 2017.

A decade inside Yahoo's ad creative organisation, across eight formats — homepage takeovers, login-page skins, the standard display ladder, native, mobile and post-tap gyroscope units, page wallpapers, sales demos, and work that left the browser entirely.

A hotel on the Long Beach waterfront is built around one view: the harbour, the skyline, and the Queen Mary sitting across the water. Close the conference-wing walls for an event and the lobby loses all of it. So the Arya Group, the architects, commissioned the view as an object. A 180-degree gigapixel panorama, printed and mounted on the sliding walls, with the harbour running across the panels and the ship legible at one end.

Large-format panoramic prints shown as fine art in an outdoor gallery garden for the Venice Art Walk & Auctions — the original LA art walk, in its 30th year, raising money for the Venice Family Clinic.

A solar-powered, satellite-linked bicycle with a swiveling onboard camera that auto-uploaded photos to Flickr every 60 minutes — a Yahoo! marketing experiment in location-aware, always-on photography, years before that was an ordinary idea.

For a Grammy-winning composer's benefit concert at Benaroya Hall, the full width of the stage carried a single photograph behind an eighty-piece orchestra and a children's choir. The composer supplied the exact length of every piece. Each image was rendered as one unbroken move, slow enough that nobody registers it as motion, timed so that the crescendo and the arrival on a hidden detail land in the same second. It is the only performance credit in the portfolio.

An original Flash animation studio with its own series, its own characters and its own theatre — built when Flash animation on the web was barely two years old. Four named series, a members' area, a shop, and seven years of traffic logs. **The films were considered lost. All 119 files have been recovered from the Internet Archive and 67 of them play again, with sound.**

Gavin's earliest panoramic work, and the start of the line that leads to the gigapixel career.

Apprenticed under muralist Kent Twitchell at LACHSA, then again during a two-year leave from RISD — assisting on large-scale Los Angeles freeway murals, including the LA Marathon runners.

Oil painting, portraiture and studio work from the RISD years — figure studies, still life, self-portraits, and a sculptural assemblage.