A generative AI production studio. Pipelines that ship finished commercial work for brands with real quality bars — not experiments, not decks.
Generative image and video pipelines built to a brand’s existing quality bar, not to a demo standard. Prompt libraries, asset automation, and the review steps that keep output shippable.
Getting generative tools into a team that already has a way of working. The hard part is rarely the model — it is the handoffs, the approvals, and what happens when output is almost right.
Training a team to run the pipeline themselves, with documentation that survives the people who wrote it.
Art direction over generative output — the judgment about what is good, which is the part the tools do not supply.
Six original short films made with generative tools — Town of Porcelain People, Mushroom Cavalcade Trailer, The Alchemist Zoom, Ziggy Stardust, JK5, and Maze. Authored work, not client commissions: the place where the pipelines get pushed before they meet a deadline.
AI image-generation pipelines and flatlay-photography automation for Pendleton's Spring 2027 accessories collection — a named, current client and direct evidence of live generative-AI production work.

One client, seven engagements, a decade-plus: the Zoomable City gigapixel kiosk (2014), long-term timelapse (2016), a VR block party activation, a VR bungee-jump experience (2018), the VR Bar (2017), the Loupe Lounge (2023), and current AI production work through Bespoken AI Solutions (2025-26) — the same relationship, evolving with every medium shift.
Custom AI production workflows, asset generation, and creative automation systems for a major game studio — a named, current AI client alongside Pendleton.

Video production, logo/brand design, and investor-document work for F-Comply, an Oregon identity-verification and child-safety compliance startup.
Most engagements start with a single question: can this be produced at the quality and volume you need. That is usually answerable in a short conversation.