Twenty-five years — with the fine-art eye to know what to do with it once it arrives.
Strategy, workflow integration, and hands-on adoption for teams bringing generative AI into real production.
Custom pipelines that ship finished, professional work — image, video, audio, automation.
VR, WebXR, fulldome, and interactive installations — from a Sports Emmy-winning Everest ascent to a museum digital twin still live today.
The technique that started everything — still the sharpest tool in the kit. Large-format capture and digital twins, from a TIME cover to a 46-gigapixel tower.
When the shot doesn't exist yet, build the rig that gets it. Custom drone and camera-rig engineering — he builds the tools, not just uses them.
Production and post, for brands, robots, and pianos in the wilderness.
Fast-follow — needs a curation pass over the drives before this page is real.
The training that came before every medium since — hand-painted, photorealistic murals at architectural scale.
Building the team, not just the shot. A decade running an innovation function at Yahoo, leading a global production team at Hanson Robotics, co-founding Panogs in 2014, and founding the studio he runs now.
46 gigapixels across roughly 1,300 source frames, captured 1,811 feet up — a full 3D reconstruction of San Francisco's tallest structure.
Cold-weather 360 capture rigs, built for the first complete bottom-to-top VR ascent of Mount Everest.
Sports Emmy, Outstanding Digital Innovation →Stitched the fold-out cover panorama that later became the first image used to launch Facebook's 360 Photos feature.
Independently credited as stitcher →