The fine-art eye that knows what to do the moment a new medium arrives.
Stereoscopic 360, VR, WebXR and fulldome — from a Sports Emmy-winning Everest ascent to headset experiences still running today.
Hire for Capture, stitch, and deliver 360 and VR that holds up in a headset.
Multi-gigapixel capture and deep-zoom delivery — landmarks, museums, and archives rendered at a resolution you can fall into.
Hire for Shoot and deliver gigapixel imagery, including the viewer it lives in.
Drone cinematography and the custom rigs behind it — purpose-built camera systems for shots that had no off-the-shelf answer.
Hire for Aerial capture, plus rig design when the shot does not exist yet.
Documentary, brand film, and motion — direction, shooting, and edit for stories that need a camera and a point of view.
Hire for Direct, shoot, and cut documentary and brand film end to end.
Production pipelines that ship finished commercial work — image, video, and automation built for brands with real quality bars.
Hire for Build and run a generative pipeline that ships client-ready assets.
The eye underneath everything else — RISD-trained drawing, painting, and mural work that predates and informs the technology.
Hire for Original art direction and illustration, hand-made.
Leading teams and building the workflow — innovation programs, studio direction, and getting new mediums into production.
Hire for Lead the project, or teach the team to run it themselves.
Panoramic prints shown as fine art — gallery walks, garden exhibitions, and auctions, not client installations.
Hire for Prepare and exhibit large-format panoramic prints as fine art.
One-off rigs and marketing experiments built to try something nobody had tried yet.
Hire for Prototype a capture rig or activation that does not exist off the shelf.
46 gigapixels across roughly 1,300 source frames, captured 1,811 feet up — a full 3D reconstruction of San Francisco's tallest structure.

Cold-weather 360 capture rigs, built for the first complete bottom-to-top VR ascent of Mount Everest.
Sports Emmy, Outstanding Digital Innovation →
Stitched the fold-out cover panorama that later became the first image used to launch Facebook's 360 Photos feature.
Independently credited as stitcher →