The work, organized by medium. Projects appear in every category they earn — an Everest capture is both 360 and aerial.
Stereoscopic 360, VR, WebXR and fulldome — from a Sports Emmy-winning Everest ascent to headset experiences still running today.
Hire for Capture, stitch, and deliver 360 and VR that holds up in a headset.
Multi-gigapixel capture and deep-zoom delivery — landmarks, museums, and archives rendered at a resolution you can fall into.
Hire for Shoot and deliver gigapixel imagery, including the viewer it lives in.
Drone cinematography and the custom rigs behind it — purpose-built camera systems for shots that had no off-the-shelf answer.
Hire for Aerial capture, plus rig design when the shot does not exist yet.
Documentary, brand film, and motion — direction, shooting, and edit for stories that need a camera and a point of view.
Hire for Direct, shoot, and cut documentary and brand film end to end.
Production pipelines that ship finished commercial work — image, video, and automation built for brands with real quality bars.
Hire for Build and run a generative pipeline that ships client-ready assets.
The eye underneath everything else — RISD-trained drawing, painting, and mural work that predates and informs the technology.
Hire for Original art direction and illustration, hand-made.
Leading teams and building the workflow — innovation programs, studio direction, and getting new mediums into production.
Hire for Lead the project, or teach the team to run it themselves.