VR, WebXR, fulldome, and interactive installations — from a Sports Emmy-winning Everest ascent to a museum digital twin still live today.

Emmy-winning team behind the first complete bottom-to-top VR ascent of Everest. Panogs built the custom cold-weather 360 capture rigs used on location in spring 2016.

VR surf documentary retracing surfer John Ritter's South Pacific passage 40 years later — shot across Oregon, Samoa, Tonga, and Fiji, funded on Kickstarter, distributed via TIME Inc.'s Life VR — the same distribution ecosystem as Capturing Everest.
WebXR production shot on Z CAM K1 Pro VR180 — swept three categories at the 2022 Polys WebXR Awards, including Experience of the Year.

One client, seven engagements, a decade-plus: the Zoomable City gigapixel kiosk (2014), long-term timelapse (2016), a VR block party activation, a VR bungee-jump experience (2018), the VR Bar (2017), the Loupe Lounge (2023), and current AI production work through Bespoken AI Solutions (2025-26) — the same relationship, evolving with every medium shift.
Explorable gigapixel panorama for a major observation deck — six touchscreens, roughly 100 interactive points of interest, day and night captures.

Intel's first digital-twin exhibit — 50+ gigapixel panoramas and photogrammetric 3D scans, VR-ready, live on Intel's own museum site.

Built a 12.5K 360° ProRes backplate library (14 stops dynamic range) for LED-volume virtual production, shot on META 3 Immersive cameras.

A 30-minute fulldome planetarium film on Australia's deep-time history, made with First Nations communities — custom drone/panoramic capture across remote Australia.
Led Yahoo's interactive advertising Innovation team and spearheaded the company's first VR ad formats, publicly representing Yahoo's VR/360 advertising work at IVRPA Québec 2016.
Behind-the-scenes stereoscopic VR documentation of Microsoft's Mixed Reality Lab volumetric video and holographic data-capture process, for Microsoft's Story Labs 360 series.
A three-part stereoscopic 360° VR conservation series. The episode "Mountains" was a finalist at the 2020 Jackson Wild media awards — one of the most respected honors in nature and conservation filmmaking.