Pendleton Woolen Mills
AI image-generation pipelines and flatlay-photography automation for Pendleton's Spring 2027 accessories collection — a named, current client and direct evidence of live generative-AI production work.
Space Needle — A Decade of Every Medium
One client, seven engagements, a decade-plus: the Zoomable City gigapixel kiosk (2014), long-term timelapse (2016), a VR block party activation, a VR bungee-jump experience (2018), the VR Bar (2017), the Loupe Lounge (2023), and current AI production work through Bespoken AI Solutions (2025-26) — the same relationship, evolving with every medium shift.
Studio Wildcard
Custom AI production workflows, asset generation, and creative automation systems for a major game studio — a named, current AI client alongside Pendleton.
DRAX — Immersive Forests
Multi-format capture — gigapixel, 360 video, aerial 360 video, and traditional videography — for DRAX's "Immersive Forests" sustainability film, produced in partnership with UK stitching studio Surround Vision.
F-Comply
Video production, logo/brand design, and investor-document work for F-Comply, an Oregon identity-verification and child-safety compliance startup.
Sutro Tower 50th Anniversary Virtual Tour
Gigapixel, LIDAR, and photogrammetric 3D reconstruction of Sutro Tower, San Francisco (1,811 ft), built for its 50th anniversary. Most recent independently-documented work.
VR Drones
Co-developed a custom-built spherical-capture drone with cameras above and below the airframe for a single seamless sphere in one flight.
The Earth Above
A 30-minute fulldome planetarium film on Australia's deep-time history, made with First Nations communities — custom drone/panoramic capture across remote Australia.
Luxicraft
Built a 12.5K 360° ProRes backplate library (14 stops dynamic range) for LED-volume virtual production, shot on META 3 Immersive cameras.
Intel Museum Virtual Tour
Intel's first digital-twin exhibit — 50+ gigapixel panoramas and photogrammetric 3D scans, VR-ready, live on Intel's own museum site.
One Liberty Observation Deck
Explorable gigapixel panorama for a major observation deck — six touchscreens, roughly 100 interactive points of interest, day and night captures.
The Magic of Flight
WebXR production shot on Z CAM K1 Pro VR180 — swept three categories at the 2022 Polys WebXR Awards, including Experience of the Year.
Into the Himalayas
A three-part stereoscopic 360° VR conservation series. The episode "Mountains" was a finalist at the 2020 Jackson Wild media awards — one of the most respected honors in nature and conservation filmmaking.
Hanson Robotics — Sophia the Robot Interview Series
Ran the video team and produced Hanson Robotics' global interview series with Sophia the Robot, including engagements with Deepak Chopra and the United Nations.
Microsoft Reality Capture Studio
Behind-the-scenes stereoscopic VR documentation of Microsoft's Mixed Reality Lab volumetric video and holographic data-capture process, for Microsoft's Story Labs 360 series.
Capturing Everest
Emmy-winning team behind the first complete bottom-to-top VR ascent of Everest. Panogs built the custom cold-weather 360 capture rigs used on location in spring 2016.
Murals of Tibet
An eight-year gigapixel capture project across Tibet's most remote regions with art historian Thomas Laird, preserving ancient Buddhist temple murals at ultra-high resolution — published as a SUMO-edition book by TASCHEN in 2018.
Nakuru Kuru
VR surf documentary retracing surfer John Ritter's South Pacific passage 40 years later — shot across Oregon, Samoa, Tonga, and Fiji, funded on Kickstarter, distributed via TIME Inc.'s Life VR — the same distribution ecosystem as Capturing Everest.
Yahoo — First VR Ad Formats
Led Yahoo's interactive advertising Innovation team and spearheaded the company's first VR ad formats, publicly representing Yahoo's VR/360 advertising work at IVRPA Québec 2016.
TIME — One World Trade Center Panorama
Stitched TIME's One World Trade Center cover panorama — 567 frames shot from the building's 408-foot spire, assembled into a fold-out cover image that later became the first photo used to launch Facebook's 360 Photos feature.
Yosemite Extreme Panoramic Imaging Project
The origin of Gavin's entire panoramic career — one of roughly 55 photographers across 20 teams capturing 16 miles of Yosemite Valley on early GigaPan robotic heads, built for NPS rockfall and geological analysis.
The Chronicles of Riddick
Flash-built promotional website for the Universal Studios feature (released June 2004) — built using the Flash skill from Stickyflick Studio, Gavin's first medium jump from fine art into interactive/animated web work.