Multi-gigapixel capture and deep-zoom delivery — landmarks, museums, and archives rendered at a resolution you can fall into.
Touch installations for observation decks — a gigapixel panorama of the view out the window, zoomable by the visitor, still running years after handover.

One client, seven engagements, a decade-plus: the Zoomable City gigapixel kiosk (2014), long-term timelapse (2016), a VR block party activation, a VR bungee-jump experience (2018), the VR Bar (2017), the Loupe Lounge (2023), and current AI production work through Bespoken AI Solutions (2025-26) — the same relationship, evolving with every medium shift.

Intel's first digital-twin exhibit — 50+ gigapixel panoramas and photogrammetric 3D scans, VR-ready, live on Intel's own museum site.

Explorable gigapixel panorama for a major observation deck — six touchscreens, roughly 100 interactive points of interest, day and night captures.
Gigapixel panoramic capture in the field — ultra-high-resolution photography of places that resist being photographed.

Multi-format capture — gigapixel, 360 video, aerial 360 video, and traditional videography — for DRAX's "Immersive Forests" sustainability film, produced in partnership with UK stitching studio Surround Vision.

Gigapixel, LIDAR, and photogrammetric 3D reconstruction of Sutro Tower, San Francisco (1,811 ft), built for its 50th anniversary. Most recent independently-documented work.

The St Johns Bridge is the Portland landmark that photographs badly from the ground. Gothic towers, a green that reads differently in every light, and no single viewpoint that holds the towers, the span and the setting at once.
Look at Angkor Wat, then push in, and the strangler-fig roots pouring over a carved doorway resolve down to individual fibres. Look at the whole bay at Railay, then push in, and there are people on towels.

A gigapixel tiny-planet panorama of Philadelphia, shot more than 1,000 feet up the spire of One Liberty Place and built into six touchscreen kiosks across the observation deck. The panorama made local news twice — once for the install, once when it caught a wedding proposal playing out in Love Park below.

A gigapixel night time-lapse and a 360 aerial flight, shot from a rigging position on top of Reunion Tower's geodesic dome, 470 feet above downtown Dallas — the source imagery behind the "Reunion Tower VR" mobile app's Aerial and Time-Lapse experiences.
Gigapixel capture at the Las Vegas Stratosphere, with the resulting imagery running on touchscreens on the observation deck.

A 360° installation at Kion Tower. The live feed appears on the building's hyper wall in Panogs' own TOWR Cam video.

A long-term timelapse and hyperwall installation, one of Panogs' own listed reference projects from May 2017.

Stitched TIME's One World Trade Center cover panorama — 567 frames shot from the building's 408-foot spire, assembled into a fold-out cover image that later became the first photo used to launch Facebook's 360 Photos feature.

A hotel on the Long Beach waterfront is built around one view: the harbour, the skyline, and the Queen Mary sitting across the water. Close the conference-wing walls for an event and the lobby loses all of it.

For a Grammy-winning composer's benefit concert at Benaroya Hall, the full width of the stage carried a single photograph behind an eighty-piece orchestra and a children's choir. The composer supplied the exact length of every piece.

The origin of Gavin's entire panoramic career — one of roughly 55 photographers across 20 teams capturing 16 miles of Yosemite Valley on early GigaPan robotic heads, built for NPS rockfall and geological analysis.

Gavin's earliest panoramic work, and the start of the line that leads to the gigapixel career.
Hire for Shoot and deliver gigapixel imagery, including the viewer it lives in.
