Drone cinematography and the custom rigs behind it — purpose-built camera systems for shots that had no off-the-shelf answer.
Hire for Aerial capture, plus rig design when the shot does not exist yet.
Multi-format capture — gigapixel, 360 video, aerial 360 video, and traditional videography — for DRAX's "Immersive Forests" sustainability film, produced in partnership with UK stitching studio Surround Vision.

Co-developed a custom-built spherical-capture drone with cameras above and below the airframe for a single seamless sphere in one flight.

A 30-minute fulldome planetarium film on Australia's deep-time history, made with First Nations communities — custom drone/panoramic capture across remote Australia.
Filmed and stitched aerial sequences for a "Climate Changers" segment featuring Boyan Slat, founder of The Ocean Cleanup — the internationally known ocean-plastic removal nonprofit.

Emmy-winning team behind the first complete bottom-to-top VR ascent of Everest. Panogs built the custom cold-weather 360 capture rigs used on location in spring 2016.
Aerial and cinematic capture for pianist Hunter Noack's "In a Landscape" outdoor concert series, credited on Panogs' own archived portfolio.

VR surf documentary retracing surfer John Ritter's South Pacific passage 40 years later — shot across Oregon, Samoa, Tonga, and Fiji, funded on Kickstarter, distributed via TIME Inc.'s Life VR — the same distribution ecosystem as Capturing Everest.
A long-term timelapse and hyperwall installation, one of Panogs' own listed reference projects from May 2017.